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Topic: Interviews

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SOADFans: Moshpit masterminds
Interviews
Posted by ZAk on Friday, May 27, 2005 - 01:37 PM

Friday May 27, 2005
The Guardian

Since when did nu-metal groups talk about 'infinite harmonies', 'imperialist realpolitik' and 'corporate enslavement'? Adam Sweeting meets System of a Down - the band big o­n brains as well as album sales

'The fact that we're all Armenian and in the same band is completely a coincidence' ... System of a Down

With his benign smile, tumbling ringlets and air of spiritual calm, Serj Tankian could pass for a New Age healer. His bandmate Daron Malakian is no less relaxed, content simply to light up another bong full of aromatic weed and shoot the breeze. You'd never guess the pair were frontmen for the Armenian-American heavy metal group System of a Down, with a repertoire of cranium-smashing tracks called things like BYOB (Bring Your Own Bomb)

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SOADFans: A Message with Fun Exclusive Serj interveiw
Interviews
Posted by JP on Tuesday, May 24, 2005 - 04:48 AM

<SPAN class=pn-normal>In the United States System of a Down is known as not political. But the band members themselves are.  A personal question involves with their Armenian ancestors.

Serj Tankian is sitting there o­n a comfortable sofa in his hotel room in Amsterdam.
He has flown over there for the music press to answer all their questions about their new album called “Mezmerize” that will be the first part of a dual album project.
The second album is called “Hypnotize” and will come out somewhere around November.
After the album “Toxicity” which made System of a Down break through the world of Metal in 2001.
Mezmerize is the third actual album of the band from Los Angeles ( Steal this album ) was just an extra version of Toxicity that was brought out in 2002.
It seems that these promotional visits that Serj made to Holland most of the times were all just the same.
But this visit was different from others noticed the music press while Serj was talking.
Since some recent ( 2004 ) Holland gave recognition to the Armenian genocide that occur 90 years ago in 1915.
And for Serj and System of a Down this was a big step forward in their quest for recognition.
All four band members are Armenian, and are well aware about the Armenian Genocide>
The band from Los Angeles made this their mission in life.
”This is an important moment” says Tankian about the Dutch government.
With his black pointy beard and his wild looking curly hair, the frontman and philosopher of System of a Down looks like a kind of magical figure from a fairytale.
He manifests himself as a political activist that gives people some information about what is happening in our world today.
The CIA keeps him under surveillance since September 13th 2001 because he wrote an article about “Understanding Oil” thought that America had all this already coming towards them from the beginning and created its own devastation from the start.
When you talk to him, you would never think that this soft compassionate person is “a danger to society” at all.
And neither the less think that he is a frontman and vocalist of a fierce metal band.
”For us there is no political question” but a personal o­ne, our ancestors died because of the Armenian Genocide.
And we grew up there when we were young and now we live here in California.
Our time of recognition and battle against the aftermath of the Armenian Genocide and the fight for recognition by other countries continues through our minds and music.
And it does not come forward as nationalism, no the Turkish denial from the Genocide is a symbol of denial, that is our point and statement.
The crusade of System of a Down is noticeable in their music and lyrics of the band.
However the band is experimenting with new rhythms and more complex than other bands like Korn.
They seem to have their own kind of music which is different from the rest of all the known nu-Metal bands in the world today.
In the United States SOAD attracts the most young group of “rockers” then other populair bands.
However the public and fans mostly don’t even know where Armenia is “Serj laughts”
And then he became serious and that he thinks that most people underestimate the fans of their true knowledge what this band is truly trying to say.
Each year o­n April 24th ( The official remembrance day of the Armenian Genocide ) System of a Down organizes a special benefit concert under the name of “Souls”.
The money that is being brought up from the tickets and sponsorship will be send to organizations around the world that teach and give people information about Genocide all over the world.
Armenia, Cambodia and Rwanda Tankian says.
It starts with people getting aware of their situation in a couple of speeches.
Are you guys a rock band with a mission, yes Tankian replies, but a political band?
No says Tankian clearly through the room and he explains that he doesnt see System of a Down as a political understatement.
”We just give a humanitarian, personal message to the world”.
Tankian knows the press and public well that they mostly ask these kind of questions, but understands the essence of it.
The first single of Mezmerize is called: B.Y.O.B ( Bring Your Own Bombs ) with the furious lines “Why do they always send the poor!?”.
When he is asked to give his comment o­n that, Serj points at the humor and balance of the band.
And yes indeed o­n Mezmerize we can find some great songs like a kind of reggea-ish “Radio/Video”.
And finally we asked if Mezmerize would be like Toxicity with its hard rollercoaster riffs and sickening sounds.
”That is how we want it, and that is how it should be” Serj replies, we dont want to push it all into your mouth at the same time that is why we bring this dual album out in two sections.
When you listen to System of a Down you hear four amazing people have so much fun with making their music.
If you cannot laugh about your own opinions then i don’t understand what this life is all about.


<SPAN class=pn-normal>Source: People Newspaper

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SOADFans: System Goes South America?
Interviews
Posted by JP on Tuesday, May 24, 2005 - 02:29 AM

Serj Tankian arrives late at the appointment, o­n board of a Mercedes black Benz, each hair of its peculiar beard in its place.
He lives in Hollywood and is assures that that is not incompatible with its deep social commitment, still in the city that many (until they themselves in o­ne of its new songs) consider of "plastic". "it is not impossible here to be activist, o­nly who is o­ne more a solitary activity", ironiza the leader of whom is indicated like the more important heavy band in which it goes of the millenium. Or, at least, the o­ne that more weight.
A pair of years back, agreeing with the beginning of the war, released the opportune video of Boom, filmed during the world-wide marches by La Paz of February of the 2003. And at the same time, Serj said to him to Yes! that "the world fears more to him to Bush than to Saddam".
 In the subject an enumeration to numbers related to the war was listened to in addition, from the value of Iraqian petroleum to the number of American congressmen with mobilized children: 1. For them, the war is something personal: the guitarist Daron Malakian has resident family in Iraq. And for the System of to Down, four descending North American citizens of those Armenians who survived the Turkish genocide of 1915, George W. Bush is another genocida.

- It seems that those that think as vos are a minority in your country, since they could not change the presidency...
- I do not believe that we are a minority. I think that this society very is polarized.

- In song "B.Y.O.B", which they include in "Mezmerize", they are asked "why always they send to the poor men why the president does not go to the war". They are speaking of Bush and Iraq?
- That song we did not do it necessarily thinking about Iraq, but it can been have inspired by that war. If mirás for back in history, in the old days the kings who fought the wars led their armies and loaded with them against the enemy. Now the leaders make the decisions in Internet. Bush never experienced really the war with Iraq, does not have the smaller idea of which it means to go to the front.

- and to vos you can be considered a pacifist?
- You could say that. I believe in that we must lean an a the others to be able to live in this planet. If querés to call pacifism, OK.

- Why then to title another o­ne of the songs "Attack"? It does not seem a very pacifist term that we say...
- the line of the choir says "Attack", is why we called it thus. We tried to maintain titles simple to decide them, we did not think to us how they are going away to perceive. Although thinking it now, that many attack something does not mean necessarily that takes control of violence, also means to be conscious that something is unjust and to try to change it.

- and why they finished being two discs instead of o­ne?
- We made 35 songs, we ended up recording 28 and we are going to leave some in the way. It was not the primary intention to unfold it, single we wanted to reflect what we felt. But o­nce I seated with Rick Rubin (producing) to listen to 30 songs of a serve and was exhausted. He is hard to digest it everything of blow.
Let us put it thus: for us it is a single disc who we sent in two quotas so that people can digest it easier. System of to Down has thought to pass by Buenos Aires in order year (primicia! hopefully you would not be estresen like Metallica) and what it happened in Cromañón it is going to make them take greater safety measures.

The singer says to have read in the news something of the accident but she requests more specifications. At the end of racconto it is shockeado by several things. First, to Serj Tankian it costs to him to think that flares in a closed place have been thrown. Seconds later it puts face of horror when finding out that the exits of emergency were closed with padlock and finishes being astonished when listening that the pyrotechnics did not belong to the band but to the public "Auch", it exclaims. "From already I feel very badly by all the families who underwent this terrible tragedy", the singer supports. In the case of them, he says, are customary to that the places in which they touch provide the security with the case. But also he comments that often they have had to take part when seeing that they passed things in his concerts. "Memory o­nce we had to stop a show in Australia because we saw people who made signs desperate. It was that there was somebody very serious between the 50 thousand assistants and we waited for the doctors. The important thing is to enjoy and to feel safe because if no, you are not going to live to enjoy again ".

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SOADFans: System's creative overload
Interviews
Posted by ZAk on Monday, May 23, 2005 - 03:26 PM

By Richard Cromelin, Times Staff Writer in calendarlive.com

System of a Down's singer Serj Tankian and guitarist Daron Malakian are as oddly matched as the components of their band's epically disjointed music.

With his Rasputin look and guru's serenity, Tankian sits o­n a dressing-room couch backstage at the Gibson Amphitheatre and contributes concise observations and epigrams ("The future doesn't exist, my friend — we're making it right now") to the interview.

Malakian, eight years younger at 29, is a prototype rock dude with a sensitive streak, and he seems full of nervous energy as he sits beside his bandmate, talking in rushes punctuated by loud laughs.

"Daron is a true artist," says Rick Rubin, who has produced or co-produced all four of System's albums, including the new "Mezmerize," for his American Recordings label.
"He doesn't really live in the world. He lives in a bubble and the bubble is filled with music. All he does is listen to music and play music all day every day. He's got no interests or hobbies or social life or any of those things…. I'm not saying it's healthy, but it makes for good music."

That's a matter of taste, of course, but even critics who generally avoid the harder stuff have developed a soft spot for the Los Angeles band's unlikely, unpredictable juxtapositions of heavy rock riffing and mock-operatic declamation. By turns surreal, absurd and pointedly political, System's music is what you might get if the Marx Brothers took possession of Metallica and hired Frank Zappa as arranger.

As unconventional as it is, it has also become extremely popular. An hour after the interview, Tankian and Malakian join drummer John Dolmayan and bassist Shavo Odadjian in front of a full house at the 6,000-seat amphitheater for their annual "Souls" concert, which commemorates the Armenian genocide of the early 1900s.

When the band takes the stage and launches into its new radio hit "B.Y.O.B.," the audience explodes in greeting. These fans have been waiting a long time since System's last formal album, "Toxicity," came out in 2001.

Sparked by the hit singles "Chop Suey," "Toxicity" and "Aerials," the album sold 3.5 million copies in the U.S. and established System as a genre unto itself, with o­ne foot in a form of heavy art-rock and the other in traditional headbanging. So anticipation was at a high pitch for its return to concerts and for last week's release of "Mezmerize," which is expected to contend for the No. 1 position o­n the national sales chart.

Creative chemistry altered
  
It looks like business as usual for System of a Down, but behind the statistics and below the surface, internal balances have shifted significantly, and creative ambitions have risen.

"If you go back to the first discussion [the band] ever had about this record, maybe years ago," says Malakian, "it was about stretching it, about not repeating ourselves, trying to do other things."
 
 As potent and provocative as the new album is, it's o­nly half the story. As they recorded, they found themselves juggling too many songs for o­ne CD, and rather than release a double-disc set or two separate albums at the same time, they assembled "Mezmerize" for release now and set aside a second full album, "Hypnotize," to come out in the fall.

And the album reflects an altered creative chemistry. Malakian has always been the primary musical force, writing most of the music and co-producing with Rubin, but o­n "Mezmerize" he asserts a much more prominent presence as lyricist and singer.
 
 "I was a little nervous at first because I felt that I needed to sing a little bit more o­n these songs, but I wasn't sure how that would affect the band's sound," says Malakian. "Till now Serj's voice has been the main voice of System, and now I'm coming in a little bit more…. You know, you try things, you're not sure how they're gonna come out."
 
 Adds Tankian, "People look at us, they look at MTV or whatever, 'This guy does this, this guy does this.' None of us are that isolated. We do a lot of different things…. I think it's good for people to see that and not have us in our little walls."
"There's an interesting balance in the band," notes Rubin, "because most of the musical ideas start with Daron, but then Serj brings a kind of poet's mentality to it. It's that combination that really pushes the envelope and makes it so extreme."
 
 The devilishly complex single "B.Y.O.B.," a montage of desert-warfare images that hammers the insistent questions "Why don't presidents fight the war? Why do they always send the poor?" exemplifies that byplay, with Malakian's metal riffs and catchy chorus integrated with his partner's edgier collection of shrieks and "la la la la la" interjections.
 
 "Mezmerize" packs plenty of System's familiar visceral punch and jerky, eccentric cadences, with a cleaner sound and even faster tempos elevating the sheer thrill of the musical chase.
 
 But the album introduces other new elements. Synthesizers and Vocorder form the setting for "Old School Hollywood," a quirky account of Malakian's day at a celebrity baseball game at Dodger Stadium. "Lost in Hollywood" is an emotive ballad in a David Bowie vein. And there are tight vocal harmonies that inspired them to joke in the studio that they were the black-metal version of Simon & Garfunkel.
 
 In "Violent Pornography," Malakian recoils from the images offered by contemporary media; in the soaring, sorrowful chorus of "Sad Statue," he imagines the Statue of Liberty weeping over the polarization of U.S. society.
 
 "I find it to be the tone of the times, when you've got red and blue [states]," he says. "The Statue of Liberty stands there and is for freedom for all and unity and liberty and all the things that we're proud of in America, and it's crying — it's kind of a picture you paint, looking out to modern-day America."
 
 Not everything is so clear, though.
 
 "I don't know, man, just a lot of crazed stuff's going o­n personally and in the world, and it's a reflection of that…. A lot of these songs I'm still figuring out. What they came from, what they're about…. To me, they all have something personal intertwined with something bigger than just personal, this big social thing….
 
 "People see it as political a little too much, in my opinion. I don't think it's politics that we're going for. I think it's more raising questions — questions that I think people need to ask themselves before they make big decisions o­n anything in life, whether it's politics or religion or raising their kids, I think they should raise questions that aren't asked by the television necessarily."
 
 Compromise-free zone
 
 
In the patio area backstage before the concert, the four band members circulate through a crowd of friends and relatives. The scene is more family reunion than rock-show party, and it's a reminder of the close-knit community that nurtured the musicians
 
 Tankian, Malakian and Odadjian all attended the same private Armenian school in Hollywood, and the singer and the guitarist later teamed up in a band called Soil. When Odadjian became the bassist, System of a Down began its long march in 1995. Dolmayan joined as drummer in 1996.
 
 When the band started playing local clubs it attracted an audience, but not much encouragement from the music industry. "Don't scream, kid, you're never gonna get signed," says Tankian with a smile, recalling unwanted advice from record company people.
 
 Tankian kept screaming and the band kept touring and expanding its audience. Rubin signed them in 1997, and their fans' requests finally forced the single "Sugar" o­nto the radio. Now they've sold 10 million albums worldwide, and in a hard-rock genre that's struggling commercially and creatively, they are, in Rubin's words, "the o­nly heavy band that matters."
 
 Most important to the musicians, they've done it without making any compromises.
 
 "We're not catering to anybody but ourselves," says Malakian. "All that makes our success beautiful, because we've had so many people say we can't make it, whether it's because of our culture, our looks…. I can't tell you how many different things they've told us aren't gonna work with System of a Down, and the fact that we can be successful and not be made by a machine is a big deal for us."


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48 hours inside the freak show! - Kerrang interview
Interviews
Posted by soady on Friday, May 20, 2005 - 06:13 PM

Denver, Colorado. Wednesday April 27th
 10:00 Tickets for the second date of  SOAD's so-called ‘Guerrilla-Tour’ go on sale at Denver’s 1200 capacity Ogden theatre. Having seen an advert in the local music paper or heard announcements on the local rock radio station, an estimated 3000 kids are here in sub-zero temperature, the first having arrived 30 hours ago. Many of the fans in line have bunked off school or called in sick to work to be here. one fan who understandably prefers to remain nameless, has gone AWOL from the military for the day.

 10:27 System of a down tickets sell out. Unfortunately, due to a venue fuck up, people have been allowed to buy 6 tickets each instead of two; so many of them have falled into the hands of scumbag touts. Prepare for bidding war!

 17:00 $30 tickets are now exchanging hands for up to $400.
Having abandoned the venues dressing room because it’s too cold to stay in, SOAD front man Serj Tankian shows up on the bands plush tour bus, parked across the street around the back of a dodgy-looking 7-eleven store. He is not exactly chuffed to hear about the ticket touts, but admits that is not the first time it has happened.

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Big Top Metal - Rolling Stone June 2 '02
Interviews
Posted by musicbox on Thursday, May 19, 2005 - 06:16 PM

System Of A Down <SPAN class=pn-normal>Inside the heads of brokenhearted metal gods, System of a Down - How will System of a Down follow up their strangest, angriest and most awesome album of prog-metal yet? With and even better album in six months. Now if they could o­nly ment their broken hearts

  "Good things happen in my life in tens," says Daron Malakian. "I was born in 1975. My dad stopped drinking in 1985. The band formed in 1995. And" -- long, nervous pause -- "I guess something good is going to happen this year."

 Daron, 29, is the guitarist in o­ne of the most musically accomplished and politically conscious mainstream rock bands of the past decade: the Armenian-American parade-metal purveyors System of a Down. He is sitting in his deceptively suburban-looking home in the secluded hills of Glendale, California, surrounded by body parts. There are at least a hundred skulls, skeletons and horror-movie figurines scattered around his two-story pad. Two of the skulls are human -- o­ne was a present from his girlfriend, model Jessica Miller, from their first Christmas together
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