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Dissident Aggressors, System return with a work of subversive genius
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| Posted by wildestdream on Sunday, May 08, 2005 - 12:44 PM |
YES, FUCKING yes. Every now and again rock music needs a reminder that it can be inventive, absurd, challenging and sell millions. System Of A Down are that reminder. Up against newer, younger, more visibly tormented souls who just about pass for rock stars these days, they make this shit too easy. This, their third proper album, matches anything they’ve don’t to dates and is nothing less than a sledge-hammer to the senses, an explosion where riffs fly like shrapnel and lyrics are reduced to seemingly nonsensical slogans that somehow still evoke an image, a thought or an emotion even if it’s confusion. |
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System of a Down ready to 'Mezmerize' fans !
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| Posted by ZAk on Saturday, May 07, 2005 - 03:22 PM |
L.A (Billboard) - Few acts can trot out a Peter Jennings newsreel before a concert and have a hard-rock audience of 6,000 erupt in cheers. For fans of System of a Down, however, a pre-show report on genocide is as fitting as a guitar solo. It is a Sunday night in late April, and System of a Down is staging its third hometown concert to benefit human rights and genocide awareness organizations. The group is about to embark on a world tour, and the L.A. crowd has gathered not to see the band off or hear a glimpse of its upcoming material. Instead, the atmosphere at the Gibson Amphitheater (formerly Universal Amphitheater) is that of a family reunion, where high schoolers and adults stand and cheer a heavy metal guitar line -- or an ABC news clip from 1999 -- all in the name of Armenian heritage.
"This band didn't start to change the world," guitarist/songwriter Daron Malakian later says from the stage. "This band didn't start to change your mind. This band started just to make you ask questions." |
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SOAD Make the Political Personal @ Souls 05
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| Posted by JP on Tuesday, April 26, 2005 - 03:20 AM |
UNIVERSAL CITY, California — It was mesmerizing and hypnotizing even if System of a Down's first U.S. concert in a year didn't feature much from the band's upcoming Mezmerize/Hypnotize.
At Sunday's Souls 2005, the band's annual benefit held on the day Armenians recognize the Armenian genocide each year, System played only three tracks from their new double album instead treating the sold-out Gibson Amphitheatre crowd to a flood of familiar favorites.
The 25-song set, however, did kick off with new single "B.Y.O.B.", which had the audience singing along to the disco chorus, "Everybody's going to the party/ Have a real good time," while singer Serj Tankian got his groove on. |
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Armenian Genocide Day of Rememberance April 24th
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| Posted by JP on Sunday, April 24, 2005 - 05:51 PM |
We of SOADFANS.COM are praying tonight for the people who died in 1915. I will, and with all of you together we pay respect to the people who lived their lives just like you and me, but were slaughtered just for no particular reason at all.
Please do the same and together we can make sure that what happend back then will not happen ever again. Today is the day April 24th, 90 years ago when it all happend. When you think about it, it looks fairly unreal but when you are reminded of the facts of this event you see how cruel our crooked minds can be.
We have to give respect to the ones that died in 1915 and they will not be forgotten by us all. They will stay with us in our minds, souls, and of course in the music of SYSTEM OF A DOWN themselves. |
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Band Pulls No Punches With The Pummeling Mezmerize
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| Posted by needlehead on Thursday, April 21, 2005 - 03:04 AM |
Mtv Report: At 37 minutes, Mezmerize, the first half of the forthcoming double album from heavy mental quartet System of a Down, is the band's most punctual outing. But somehow, the group manages to cram in what feels like three albums' worth of chaotic riffing, thunderous double-bass-drum blasts, operatic crooning, growling death roars and blazing accordion — yes, accordion — into the LP's 11 songs.
Perhaps System's tightest and most intense material to date, Mezmerize which comes out on May 17 — is loaded with breakneck, Slayeresque riffs and a complex sense of melody that's reminiscent of Faith No More. Fans will probably be jazzed to hear that the album recalls the band's 1998 self-titled debut more often than the less frenzied Toxicity — anyone concerned that songs like the lighter "Aerials" and Toxicity's title track signaled a weakening of the group's sound, fear not. |
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